One of the exciting things about working with “immersive” productions is creating illusions and using technology as a tool to create an experience that makes you stop for a moment. Together with Bauer Media Outdoor, we took on a brand new installation – The Tower – where they have built LED screens into the elevator shaft at OSL international. With Porsche as a client, we created an installation where they could both showcase the product and how it would look in different colors.

The installation is custom-fitted to exactly this surface, so the lighting and reflections on the car are from the place it stands. Exciting challenge, with exciting discussions along the way.

Over 20 million people pass through Oslo Airport Gardermoen each year and it has become increasingly important that travelers have a good experience when they are at the airport. Tigerstaden is a wine bar centrally located at OSL Gardermoen, clearly visible to those traveling abroad and those returning home from trips. A perfect location for an iconic tiger draped in gold and northern lights.

Read more about how we used projection mapping to create something very special for Grid Branding and SSP.

Every year, avalanches tragically claim lives, a reality that resonates with many who venture into the mountains. But what exactly is an avalanche, what triggers it, and how does it feel to experience one? In response to these questions, on behalf of the Jostedalsbreen National Park Center and in collaboration with Back and SixSides, we have created both a story and an immersive experience of an avalanche up close. Moreover, this is as immersive as it gets, providing a powerful experience without the risk, all in safe surroundings.

Creating something new and unique for Porsche’s 75th anniversary was no small task. Therefore, the solution involved placing a Porsche Taycan in the center, projecting onto the entire car, with a curved screen as the backdrop.

How do you create a time journey where the audience becomes part of the story? And how do you engage both young and old through simple navigation and entertaining communication? To address these challenges, we developed the concept “Immersed in the Narrative,” combining strong storytelling with AI and game technology.

We have created several “immersive experiences” where the audience is fully enveloped in the film. However, this approach brings entirely different challenges and opportunities. When used correctly, it is truly impressive. For example, we created the “Steensland Room” for the Østfold Museums.

How do we convey the history of the war to a 17-year-old who has no interest in visiting a museum? This question served as the starting point for two extensive digital installations for the exhibition “Østfold at War.” On two large, curved tables, we dramatized the days of the attack and secret operations, specifically aimed at younger audiences.

How can we get closer to Knut Hamsun using three digital windows suspended from the ceiling in the middle of the room? In collaboration with the Hamsun Center and five experts from different fields, we present various perspectives on “The Controversial Hamsun.” Additionally, these perspectives are illustrated through vivid narratives, allowing us to explore the complex author who continues to resonate with many people, for better or for worse.

How can you make an alternative firework display to round off a city anniversary? Commissioned by Visit Fredrikstad and Hvaler, we created this stunt to celebrate the end of the city’s 450th anniversary on one of the Old Town’s oldest buildings: The 16 meter high end wall of the Proviantmagasinet.

On assignment for the Munch network, we were tasked with creating a scheme for pupils in both secondary and upper secondary schools. Although it was challenging to make Edvard Munch feel “real” and alive, we succeeded by focusing on experiences and emotions that everyone can relate to. As a result, we developed a series of films, Snapchat filters, and quiz questions, all packaged within a mobile service. Additionally, it’s completely free.

The first projection installation we created was originally intended to run for just three years. However, it has now been 12 years, and it’s still going strong. The installation features four projectors that display the story directly onto the fortress walls every evening, all year round, within the inner fortress. Moreover, this installation is called “Lysspillet på Fredriksten.”

Immerse yourself in closed circuits or do source sorting of garbage with a barcode reader. “Cycle up” the energy you have consumed on a ergometer bicycles. These installations are both physical and digital integrated into interactive experiences. Se videos of the installations at Inspiria Science centre.

The word “Museum” alone can often be enough to scare away younger visitors. Therefore, we were challenged by the Østfold Museums to explore whether it was possible to run a campaign specifically targeting this demographic. As a result, we launched the campaign across channels such as Instagram, Snapchat, and TikTok, ultimately reaching nearly 200,000 individuals within the target group and generating almost a million views.

Over 100 million people have watched Alan Walker’s music videos on YouTube, and now fans have experienced him in entirely new, virtual worlds. Together with Kreatell, Marius Jacobsen, and Xvision, we created a series of unique virtual environments that were first launched as a 30-minute live show on TikTok – and later released as individual music videos.

This is how we used virtual production to build “Walker World.”